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the story behind johnny cash's 'hurt'
by gil kaufman
02.27.03
many music videos tend to be about escape and illusion the illusion
of fame, wealth, sex, glamour and fantasy. the video for johnny cash's
"hurt" isn't about any of those things. it deals with a theme
not so common in music videos: reality.
in the short history of music videos, few have had the emotional heft
and visual impact of the clip shot by director mark romanek in the tennessee
home of the ailing country legend.
"this [concept] is completely and utterly alien to what videos are
supposed to be," romanek said. "videos are supposed to be eye
candy hip and cool and all about youth and energy. this one is
about someone [moving] toward the twilight of his career, this powerful,
legendary figure who is dealing with issues and emotions you're not used
to encountering in videos."
the video for the cover of the nine inch nails ballad from last year's
american recordings iv: the man comes around features a morose-looking
cash singing the lines "what have i become, my sweetest friend?/
everyone i know goes away in the end," before fatalistically promising
to leave behind his "empire of dirt."
a montage of moving, dimly lit images of a weathered cash playing piano
and guitar in his memorabilia-stuffed home is mixed with glimpses of the
flood-damaged house of cash museum and archival footage of the country
legend as a young man. romanek, who has directed videos for madonna, beck
and audioslave, as well as last year's film "one hour photo,"
said he made the clip with no commercial expectations or calculations,
fully expecting that it would not be shown on major video outlets.
"i begged [the album's producer] rick rubin to let me shoot something
to that track," said romanek, who heard the song several months before
the album was released and fell in love with its stark sound.
after several attempts to convince his friend rubin to let him shoot the
clip, even offering to do it for free, longtime cash fan romanek finally
succeeded in scoring the gig. but after plans to film it in los angeles
fell apart due to cash's health, romanek had only a few days to conceive
and shoot the video before cash left for his annual health sabbatical
in jamaica.
"i wanted to do two things," he said. "i wanted to celebrate
this legend and his achievements but also be very candid about what johnny's
life is like right now." cash suffers from a nervous-system disease,
autonomic neuropathy, which renders him susceptible to pulmonary disorders.
romanek hopped a red-eye to nashville on a wednesday night and spent the
next day scouting locations in cash's house and at the museum, quickly
putting the concept together in his head. though he's known for such elaborate
videos as michael and janet jackson's "scream," romanek thought
the "hurt" video should be firmly focused on the 70-year-old
man in black, with no gimmicks and no trick shots.
"his music has always been extremely candid," romanek said.
"that's what i wanted to draw from. i didn't want to make a phony
video. i wanted to tell the truth but not be insensitive, because johnny
is not in the peak of health right now."
the one consolation to the warts-and-all approach was the metaphorically
arresting footage of the house of cash museum, which appears to have fallen
into decrepitude. though the imagery makes for high drama when run alongside
snapshots of cash, romanek admitted that the museum was more a victim
of a flood rather than neglect.
the rest of the video is a haunting portrait of a clearly fragile cash
juxtaposed with archival glimpses of a hale and hearty hell-raiser hopping
trains, visiting his abandoned childhood home and taking walks with his
family. the intercut footage came from several boxes pulled from cash's
private collection and lent to romanek, who spent weeks combing through
hundreds of hours of tape. "i've gotten letter after letter from
people saying that the video made them weep and they can't stop watching
it," romanek said. as further proof of its success, the perennially
cool but commercially hard-to-pigeonhole cash is suddenly in rotation
on mtv2 and vh1 and the song has crept onto the playlist of los angeles
alternative rock tastemaker station kroq-fm.
"i'm most proud of the fact that it's causing this visceral, emotional
reaction," romanek said. "that's the whole reason to make any
sort of film. you don't often have the opportunity to do that with a music
video because that's not usually what you're being asked to accomplish."
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